In a Subway, 2015, oil on canvas, 27.5” x 35.4”
В метро, 2015, олія на полотні, 70x 90см
(Natalia_Laluq_f219)
Natalia Laluq is a Canadian and Ukrainian visual artist and ceramicist. She studied drawing and painting with Ukrainian artist Olga Krylova from 1983 to 1986.
Natalia received her Bachelor of Fine Arts in Graphic Arts from the Kyiv Department of the Ivan Fedorov Ukrainian Polygraphic Institute in 1993, specializing in book
design and illustration. She studied advanced drawing and painting with Professor Florian Yuriev, a prominent figure in the Ukrainian art scene, as well as composition,
art history, printmaking, design, and calligraphy.
From 1991 to 2003, Natalia worked with a group of ceramic artists in the Honchary (Potters) Art Cooperative in Kyiv. She has exhibited her painting and ceramic projects
in Ukraine, Belgium, Germany, the Netherlands, Italy, South Korea, Canada, Mexico, and the United States, and has received several awards for her work.
Since immigrating to Canada in 2003, Natalia has been developing her Canadiana Project. In 2007, she was awarded a project grant from the Ontario Arts Council and
exhibited the project at the Station Gallery in Whitby, Ontario.
Her ceramic practice has been dedicated to research into archaeological techniques, particularly the rich visual language of Trypillian culture. In 2008,
the Royal Ontario Museum presented Mysteries of Ancient Ukraine: The Remarkable Trypillian Culture (5400–2700 BC). The organizing committee commissioned Natalia
to create 46 centerpiece works for the gala opening, along with several hundred small toys and figurines replicating original Trypillian artifacts.
In 2011, during a visit to San Miguel, Mexico, Natalia met Toller Cranston, Canadian figure skating champion, Olympic bronze medalist, painter, and avid collector
of Mexican ceramics. Inspired by his life story, Natalia, with support from the Ontario Arts Council, conceived and produced the Tollermania project, which was presented
at Toller Cranston’s studio in 2014.
The project consisted of a series of 452 handmade blue-and-white porcelain plates, presented as both an installation and a stop-motion animation film, with each plate
serving as a key frame. A supporting documentary explored the artistic concept of Post-Industrial Hand-Labourism.
In 2015, following the Maidan Revolution and the beginning of the war in Ukraine, Natalia began a series of paintings reflecting the transformed world, including
War Diary (2015) and War Batmen (2015–2016). Two works from this series were exhibited in April 2022 at the Station Gallery in Whitby in the group exhibition Hold Fast,
alongside works by Edward Burtynsky, Natalka Husar, William Kurelek, and others.
Natalia often paints outdoors, working directly on site, following the plein-air traditions of the Group of Seven, David Milne, and the European school.
In 2017, her plein-air painting The Pump House, Ottawa, 2016 was acquired for the permanent collection of the City of Ottawa.
She continues to work in painting and ceramics and currently resides in Belleville, Ontario.